The Complex Christ

Don't Listen To Music | Emotional Sound-spaces | (alt)Worship

Had a great time chatting to Barry Taylor yesterday - who's over in the UK 'writing a film score' (yeah right Barry - we believe you ;-)

We got on to talking music. I'd recently heard John Bell talk about protest music, and, harking back to the good old days of Dylan and Joan Baez, he complained that there wasn't really any good protest music around these days. I took him to task on this afterwards, and challenged him to think again.

Barry is in an excellent position to talk on this, and he talked about his theory that 'no one listens to music any more'. The basic idea is that music creates an emotional space, out of which actions and thoughts are born. As he said, no one really knows what Thom Yorke is singing about, but, regardless of the words, the emotion of the music resonates with strong messages of protest. According to Barry, most bands begin by writing the music, and the words come after. So perhaps the message of the music is located somewhere else than the lyric.

I like this idea for a number of reasons. Firstly, I think it affirms that, while there is less 'obvious' protest music, there is still a lot of music that is there to challenge, if we let ourselves encounter fully the emotional spaces the music creates. Ironically, the folk/protest movement of Dylan's hey-day could be seen as a failure. While the shallow, glitzy rock-fest of Live Aid was, in many ways, an enormous success.

Secondly, I think this has something to offer in the debate on Christian music. Worship is an emotional space. We need to affirm that, and need to realize that we don't need obvious lyrics to make music 'Christian.' Moreover, where obvious lyrics are put in, they actually tend to detract from the emotional space, making the music too fixed and preachy... And, personally, leaving me cold. Connectedly, I think this is why ambient music has really been embraced by the alt.worship community. It's often been a criticism that it's 'not really worship' because the words aren't there. But that is missing the point, and the key truth that alt.worship seemed to pick up on was precisely that it was the emotional space that music created that was the space within which worship was offered.

Technorati Tags: Baez, Dylan, Language, Meaning, Protest, Worship

On Music

This year's Reith Lectures, to be broadcast shortly on the BBC, are to be given by Daniel Barenboim under the title 'In the Beginning was Sound'. I'm hoping they live up to the excellent title, which reminded my of Claude Levi-Strauss' Overture introduction to his seminal work on myths The Raw and The Cooked, which he dedicates 'To Music'.

For Levi-Strauss, music is:

"the only language with the contradictory attributes of being at once intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man."

Nature, he goes on to argue:

"spontaneously offers man models of all colours and sometimes even their substance in a pure state. In order to paint he only has to make use of them. But...nature produces noises not musical sounds; the latter are solely a consequence of culture..."

I have argued in the book that the city is the place where we best see the divine and human co-operating. We take the raw materials of creation and process them into glass, concrete and steel. So the city stands as a testament to both the beauty of that co-operation, and the dangers of doing so assymetrically.

What I love about Levi-Strauss' comments is that it puts music on a similar plane. Nature is full of colour and sound. But music only comes when we co-operate with nature and arrange those sounds. Music is therefore another symbol of the possibilities of the divine/human co-operation.

In other words, at best,it is essentially metaphysical. Good is an epiphany. Music touches us, universally, in ways that no other art form can even begin to. It appears to have direct access to the most ancient areas of our brains. The areas that existed before language (making it, as it were 'pre fall').

And this is the beauty of music: it takes us to that ecstatic place - ex stasis - off the ground, where language has nothing to add.

Last night I went to hear Sigur Ros. It was for the most part a good gig, but the final piece they played was one of the amazing pieces of music I have ever heard, and fully supported Levi-Strauss' opinions above. It was the last song on their second album. A translucent screen came down over the band, so all we could see of them were distorted shadows back projected. (Nic told me the best way to enjoy the Sigur gig would be to keep my eyes closed. He was right: the visuals were not great. I've always thought MTV a paradox; surely music that needs video support is inherently impoverished?)

It was as if we were meant to see through a glass darkly. We weren’t to look. For this most euphoric of moments, the visual was minimized. This from a band whose lyrics are basically glossolalia… Beyond language. And the power of the sound, the volume and the sheer richness was overwhelming.

It was music that was literally ‘obliterating’. Destroying text or language or explanation. One felt as if one wanted to be annihilated by it. That if one could jump into it, one could actually rejoin the divine myth. And this, I believe is the promise that true music sings to us: the promise that one day we will be finally caught back up in the divine composition.

Now that's what I call worship.

(Thanks to Jana for the photo)

Technorati Tags: Art, Beauty, Creativity, Levi-Strauss, MTV, Myth, Sigur Ros